In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.
Carlos Nájera | Art Direction |
Salvador Espinosa | Music |
Enrique Zambrano | Producer |
Joselito Rodríguez | Director |
Carlos Garduño G. | Co-Producer |
Jesús Alvariño | Co-Producer |
Enrique Zambrano | Writer |
Jesús Echeverria | Editor |
Carlos Nájera | Cinematography |
Fernando Osés | Writer |