Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
Chu Hsiang-Kan | Screenplay |
Songling Pu | Screenplay |
King Hu | Screenplay |
Huang Mao-Shan | Music |
Joseph Koo | Music |
Tso Hong Yuan | Music |
Wu Da-Jiang | Music |
Chen Jung-Shu | Director of Photography |
Wang Chin-Chen | Editor |
Pei-Cheng Chang | Production Design |