Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.
Charles Frend | Director |
Harry Frampton | Makeup Artist |
Daphne Martin | Hairstylist |
Gerard Schurmann | Original Music Composer |
Gordon Dines | Director of Photography |
Anthony Mendleson | Costume Design |
Edward Carrick | Art Direction |
Thomas N. Morahan | Associate Producer |
Roy Gough | Still Photographer |
Gordon Stone | Editor |