In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.
César González | Editor |
César González | Cinematography |
Joel Páez | Sound |
Manuel Cabral | Sound |
Martín Kouto | Sound |
Sabrina Moreno | Thanks |
César González | Camera Operator |
César González | Writer |
Jonathan Moreno | Thanks |
César González | Director |